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Lazada
Designed by Gordon Guillaumier
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Finishes:
Structure in steel painted black, top in tempered clear glass
Dimensions:
W2500 x D1050 x H740 mm
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Minimalism and pure elegance characterize the Cage tables, whose precious top comes in different types of marble, round or square.
Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
Bell coffee tables collection is distinguished by its full volumes, rounded details and vivid glossy lacquers. It creates a sense of fluidity and movement in the surroundings. Bell is designed to add a touch of style and functionality to living spaces, with the ability to combine and layer different sizes to create multipurpose compositions.
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Lunar form a constellation of scrunchable, glowing lights designed by Faye Toogood. This range of lighting epitomises Toogood?s playful and tactile taxonomy of materials. Lunar are quilted pendant lights with crumpled, papery covers. Internal wadding diffuses the light, giving Lunar a soft glow. Although each light is the same design the crunchable material framing the […]
This coffee table can be matched with tops of various types, according to the taste and needs for both the indoors and outdoors.
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]