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Designed by Gordon Guillaumier
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Finishes:
Structure in steel painted black,, top in chestnut veneer
Dimensions:
W2500 x D1050 x H740 mm W3100 x D1050 x H740 mm
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Minimalism and pure elegance characterize the Cage tables, whose precious top comes in different types of marble, round or square.
The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
Inspired by flower petals and 3D modeling technology, CLARA table is unique and elegant. The design combines a marble tabletop and an exquisite base in smooth proportions. With its contrasting natural wood and shimmering gloss, CLARA exhibits a form both elegant and organic.
Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.