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Lazada
Designed by Gordon Guillaumier
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Finishes:
Structure in steel painted black, top in carrara white marble
Dimensions:
W2500 x D1050 x H740 mm
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Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
An exercise in style, refinement and essentiality, the Megara sofa comes with suede, fabric and leather covers and features a round backrest that smoothly flows into the armrest and creates a refined detail just before meeting the seat: almost a cushion sinking into the backrest. A terminal element, a day-bed and a pouf complete the […]
Minimalism and pure elegance characterize the Cage tables, whose precious top comes in different types of marble, round or square.
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Two furnishing elements of pure material. Two architectural blocks in perfect scale. The materiality of the concrete becomes the protagonist and is expressed through irregular surfaces that recall the raw wood with which the formwork is made ? the wooden formwork used in construction that holds within it the shape to be created by casting […]
The Degree takes multifunctional home furniture to a new level. This innovative and eye-catching piece of furniture raises as many questions as it answers. What exactly is it? Is it a stylish and modern bedside table? Is it a unique work of art? Or is it a handy storage container designed to make the most […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.