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Lazada
Designed by Gordon Guillaumier
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Finishes:
Structure in steel painted black or plated gold, top in tempered clear glass
Dimensions:
DIA800 x H410 mm DIA1080 x H350 mm
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Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
An exercise in style, refinement and essentiality, the Megara sofa comes with suede, fabric and leather covers and features a round backrest that smoothly flows into the armrest and creates a refined detail just before meeting the seat: almost a cushion sinking into the backrest. A terminal element, a day-bed and a pouf complete the […]
$6,760
The Panorama modular sofa is designed to be an organic fit for any space, be it grand or large. Simply configure and combine its modules exactly as you would like. While its curves allow for it to bring a modern touch to the scenery, its inherent comfort invites the user in for a seat that […]
$6,400
Resting atop a recessed base, the corpus of the Montholon design seemingly soars above ground, prompting a lighter sentiment to the voluminous proportions while awakening the senses with inviting curves and the soothing softness of tactile topography.
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.