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Designed by Gordon Guillaumier
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Finishes:
Structure in steel painted black,, top in chestnut veneer
Dimensions:
DIA800 x H410 mm DIA1080 x H350 mm
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Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
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Art is a spontaneous expression, which dissolves the constraints of traditional culture. The material as a raw element, worked and shaped to highlight its expressive power. Brut is a table with strong references to Art Brut, spontaneous and informal, and brutalist architecture both in the volumes, accentuated and massive, and in the materials, concrete and […]
Pau from Inclass is an innovative proposal of upholstered elements that can be combined to suit the dimensions and shapes of any space. The collection consists of sofas which are manufactured with or without backrests of different sizes that can be combined with wooden or upholstered arms. This variety of elements allows a greater formal […]
Garconne, whose structure is fully covered with leather, is a sofa boasting wide and generous shapes; its soft and large cushions in leather or fabric are bounded by slim, gently curved armrests. Completed by the armchair, Garconne is a luxury item, a fully-fledged protagonist, designed for socialites and people who love meeting friends and relaxing […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.