Visit us in store for a wider selection of items not found online.
Designed by Gordon Guillaumier
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Finishes:
Structure in steel painted black,, top in chestnut veneer
Dimensions:
DIA800 x H410 mm DIA1080 x H350 mm
0
Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
An exercise in style, refinement and essentiality, the Megara sofa comes with suede, fabric and leather covers and features a round backrest that smoothly flows into the armrest and creates a refined detail just before meeting the seat: almost a cushion sinking into the backrest. A terminal element, a day-bed and a pouf complete the […]
The dormeuse of the EMMA collection is characterized by defined stitching details of the back cushion, emphasizing shape and design. It stands out for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Costes chair debuted in 1984, marking the beginning of the partnership between Philippe Starck and Driade. A designer, formerly unknown in Italy, creates one of the world’s most iconic object. Designed for the once homonymous, now disappeared Parisian cafe, owes its timeless success to the absoluteness of forms: a dark wooden embracing structure with three […]
Created to complement the homonymous chair, Toy table, lives, indeed, an independent life thanks to the elegance of its stem, strongly tapered. A detail which, combined with the soft lines of connection with the top and the base, gives the piece an intense classical connotation.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.