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Designed by Gordon Guillaumier
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Finishes:
Structure in steel painted black,, top in chestnut veneer
Dimensions:
DIA800 x H410 mm DIA1080 x H350 mm
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Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
An exercise in style, refinement and essentiality, the Megara sofa comes with suede, fabric and leather covers and features a round backrest that smoothly flows into the armrest and creates a refined detail just before meeting the seat: almost a cushion sinking into the backrest. A terminal element, a day-bed and a pouf complete the […]
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
The character of this design is the slight incline of a gesture of welcome and minimalistic architecture. The smooth chamfer on the edge of the wood platform base contrast the soft seam from the textile elements highlighting the characteristics of the materials. Due to the balanced, shape of the modules and the unique add-ons, it […]
The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.