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Lazada
Designed by Gordon Guillaumier
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Finishes:
Structure in steel painted black, top in carrara white marble
Dimensions:
DIA800 x H410 mm DIA1080 x H350 mm
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Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
Minimalism and pure elegance characterize the Cage tables, whose precious top comes in different types of marble, round or square.
SYSTEM is a project born from a very simple sign. A rhomboidal and rounded section creates an ideal line for the design of a family of tables and benches, with a light and soft presence. System is a modular and varied program of different heights and dimensions. The purity of the leg section is combined […]
King & Queen are stools or accent tables in turned cork. Inspired by the pawns on the chessboard, especially by the pawns of the king and queen.
The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the […]
Oblique corners reminding of ancient obelisk shapes, creating an architectural play of light and shadow. Full volumes seem to float above the floor, on hidden base. Crystal is a collection of sofas and armchairs away from ordinary standards and clichés which gives birth to a suspended and dynamic effect with no need of aesthetical devices. […]