Visit us in store for a wider selection of items not found online.
Designed by Gordon Guillaumier
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Finishes:
Structure in steel painted black, top in carrara white marble
Dimensions:
DIA800 x H410 mm DIA1080 x H350 mm
0
Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
Minimalism and pure elegance characterize the Cage tables, whose precious top comes in different types of marble, round or square.
Swan is a multifunctional piece of furniture: a single bent glass sheet that blends perfectly with other contemporary furnishing complements, also thanks to the possibility of choosing among several colour options.
Absolute purity with generous seating dimensions, the XL armchair can be set in any space and will sit well in very diverse interiors. The flat metal base is in complete harmony with the fine profile of the seat and back.
Round garden coffee table in okume wood structure ideal for outdoor use. Available in two sizes: 50 or 90 cm in diameter. The 90 cm diameter version is also available in two-tone fabric. Many decorative finishes with a material effect are available for the table top: corten, bedonia, cement, silk gray and white. The outdoor […]
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]