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Lazada
Designed by Paolo Rizzatto
But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning on a bench. Moved by such a suggestion, Rizzatto draws actually a new form of macro capitonne where each module retains its own identity.
Finishes:
Base in steel, upholstery in a selection of fabrics
Dimensions:
W2350 x D950 x H920 mm
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But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning […]
$2,790.00
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined […]
The chair of LAPIS collection stands out for its simple personality, an essential line with a strong natural aspect, with a structure made of certified plantation solid teak wood. The design and material of the collection refer to a concept of raw material, to the perfect integration between wood and outdoor environment. Its comfortable size […]
The name comes from the two “fins†at the rear of the chair, the coupling between the frame and the base. The Sharky chair is the winner of the Interior Innovation Award 2015.
A chair, inspired by the world of textile looms, with a very industrial aesthetic combined with the delicacy of the threads to create a subtle and elegant chair.
$580.00
Designed by Charlotte Perriand for her mountain chalet Le Vieux Matelot, Applique Cylindrique is a design that dates back to the early 1930s. Her interest in pivoting screens reflects her observation on human gestures: a simple touch allows to direct the lampshade and to control the light beam, making it possible to adjust intensity and […]