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Lazada
Designed by Paolo Rizzatto
But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning on a bench. Moved by such a suggestion, Rizzatto draws actually a new form of macro capitonne where each module retains its own identity.
Finishes:
Base in steel, upholstery in a selection of fabrics
Dimensions:
W1050 x D1050 x H450 mm
$2,790
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined […]
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But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning […]
In this very essential canonical dimensioned table, works plastic as if it was stone or concrete, insisting on the polite rounding of edges and the softness of junctions.
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
ZIGZAG was originally put on the market in 1996. Almost twenty years later its re-launch introduces a series of novelties to the original project. The shelf’s zig-zag shaped structure is as simple and fresh today and remains untouched. However, we took advantage of changes in technology and taste to update both manufacturing and material trim. […]
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.