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Designed by Paolo Rizzatto
But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning on a bench. Moved by such a suggestion, Rizzatto draws actually a new form of macro capitonne where each module retains its own identity.
Finishes:
Base in steel, upholstery in a selection of fabrics
Dimensions:
W1050 x D1050 x H450 mm
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But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning […]
$2,910.00
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined […]
$1,040.00
The Zeta stool, designed by the architect Mario Botta, recalls the letter from which it takes its name: two square elements, serving as base and seat, are joined by a diagonal element secured by a comb joint at each end. Two diagonal leaves merge with this element, helping to strengthen its structure and giving the […]
The overall vision created by the harmony of the beveled shapes, the full volumes and the soft but minimal design is recreated in a more rock, metallic version, thanks to the structure that lightens the seat. A wide range of colors for the padding, covered in velvet, or leather or eco-leather makes it suitable for […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.