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Lazada
Designed by Ludovica & Roberto Palomba
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the same time light and soft just like the “sulfur-yellow butterflies” described by Virginia Woolf .
Finishes:
Legs in steel in chrome or lacquered white, grey brown, black, copper or brass, upholstery in a selection of fabrics, vinyl or leather
Dimensions:
W440 x D510 x H970 mm SH720 mm
Note:
Minimum order of 4 pcs
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A minimal top, in crystal or canaletto walnut veneer, suspended on two independent wood structures: the result is a very refined table, thanks to the elegant details and the lightweight look of the piece overall.easel, designed for Driade by Ludovica+Roberto Palomba, is a table that plays on proportions and dynamism.
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]