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Lazada
Designed by Ludovica & Roberto Palomba
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the same time light and soft just like the “sulfur-yellow butterflies” described by Virginia Woolf .
Finishes:
Legs in steel in chrome or lacquered white, grey brown, black, copper or brass, upholstery in a selection of fabrics, vinyl or leather
Dimensions:
W440 x D510 x H970 mm SH720 mm
Note:
Minimum order of 4 pcs
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An outdoor sofa but designed for the old aged and very noble art of conversation. In this sofa everyone can find his ideal depth of seating position and posture: more composed or more gently relaxed, depending on one’s temperament or the circumstances of the day. Ludovica and Roberto Palomba wanted Grand Plie to open up […]
A minimal top, in crystal or canaletto walnut veneer, suspended on two independent wood structures: the result is a very refined table, thanks to the elegant details and the lightweight look of the piece overall.easel, designed for Driade by Ludovica+Roberto Palomba, is a table that plays on proportions and dynamism.
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
Born out of the fascination by those big rattan or cane armchair so common in South East Asia, Patricia Urquiola creates her own sophisticated rendition.Volumes expand, braids are doubled, patterns appear unexpectedly and gracefully fragmented. The Pavo collection introduces a strong exotic connotation.
As a master in architecture, the Japanese, Ito has proposed few but extraordinary design works. Suki armchair, designed in 1987, is one of them: an object made mysterious by the use of a double steel mesh row intersected by many springs. This is an ideological Manifesto but, unpredictably comfortable.