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Lazada
Designed by Ludovica & Roberto Palomba
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the same time light and soft just like the “sulfur-yellow butterflies” described by Virginia Woolf .
Finishes:
Legs in ash wood in natural or stained wenge or analine white or black, lacquered white, black, copper or brass, upholstery in a selection of fabrics, vinyl or leather
Dimensions:
W440 x D510 x H970 mm SH720 mm
Note:
Minimum order of 4 pcs
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Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
An outdoor sofa but designed for the old aged and very noble art of conversation. In this sofa everyone can find his ideal depth of seating position and posture: more composed or more gently relaxed, depending on one’s temperament or the circumstances of the day. Ludovica and Roberto Palomba wanted Grand Plie to open up […]
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
The chair design is based on the idea of a compass. The theme achieves a beautifully clean and balanced effect by designing the legs as one inverted V. When viewed from the side we can appreciate the balanced effect achieved by a compass. The seat itself is then sitting across these legs, which again, from […]
This armchair with an open backrest comes from TON’s traditional line of products. Typical are: its timeless shape and versatile usage.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.