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Lazada
Designed by Lucidipevere
Tool is born as a neutral table to match the numerous seatings. The centrepiece of the project is the 3D lasercutting technology from which it is derived a geometric and essential aesthetic as well as an intelligent system for building this object.
Finishes:
Structure and top in steel painted latte, black or grey brown
Dimensions:
DIA500 x H450 mm
Note:
Minimum order of 4 pcs
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Innovative and unusual product, which its design weaves around the nautical rope taking advantage and improvisation of the nautical rope production process for the application in the furniture sector. The skilful craftman work gives to the seat an added value between the craftmade and the industrial.
This table is made from concrete and incorporates a simple design but is an elegant addition to any household. These tables are great for indoor or outdoor as they are very plain and so you can work around them in terms of your decorative choices. Because of the simplicity of design, it means that these […]
Someone once said that ‘form follows function.’ This remarkable little Plana fabric chair, designed by Kristalia, follows that dictum to a ‘t’ with its smooth, solid lines, brave planes, and delightfully refined shape. Its light padding makes it exceptionally comfortable. This chair, with its esteemed and highly recognizable design, will not lose its powerful visual […]
$2,440.00
Archetypal shapes in architectural geometry inspire these historical masterpieces._ Designed by the great contemporary architect from the Ticino canton for the interiors of some of his famous buildings, they have become classics in the Alias catalogue, icons of design made in Italy. Main features are the seats seconda, in perforated sheet steel.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.