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Designed by Arrmet Lab
A rational design of the metallic structure, made of extremely clean lines, contrasts with the soft comfort of the padding. Born from the need to have the maximum comfort in a minimum space. Sharp is a timeless small armchair, whose shap allows it to match even in a very small space. The metal frame with a structural function becomes even an aesthetic accent of the seating when coloured in contrast.
Finishes:
Legs in steel in chrome or lacquered white, black, copper or brass, upholstery in a selection of fabrics, vinyl or leather
Dimensions:
W560 x D620 x H740 mm SH450 mm
Note:
Minimum order of 4 pcs
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A family of seatings characterized by a soft and comfortable shape designed for waiting rooms, bars and restaurants and residential.
Dam is a transversal small seat, characterized by a wrapping and comfortable well recognizable backrest. Seat, lumbar support and backrest/armrests are the three elements that, held together in an invisible way. Available in a single fabric or with a gradient of different tones for a best match with the spaces to be furnished.
Metal chair with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.
$1,150.00
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials. The body in multi-layer wood, available also padded and covered, is supported by a slim metal base, stackable or trestle.
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The name comes from the two “fins†at the rear of the chair, the coupling between the frame and the base. The Sharky chair is the winner of the Interior Innovation Award 2015.
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]