Clearance items - Up to 80%*
Online Exclusive - 10% off &Tradition with code AT10
Visit us in store for a wider selection of items not found online.
Designed by Lucidipevere
Innovative and unusual product, which its design weaves around the nautical rope taking advantage and improvisation of the nautical rope production process for the application in the furniture sector. The skilful craftman work gives to the seat an added value between the craftmade and the industrial.
Finishes:
Suitable for outdoor use, stackable, structure in steel lacquered white, black or grey brown, seat in a selection of woven polyester rope
Dimensions:
W570 x D560 x H790 mm SH450 mm
Note:
Minimum order of 4 pcs
0
Tool is born as a neutral table to match the numerous seatings. The centrepiece of the project is the 3D lasercutting technology from which it is derived a geometric and essential aesthetic as well as an intelligent system for building this object.
Someone once said that ‘form follows function.’ This remarkable little Plana fabric chair, designed by Kristalia, follows that dictum to a ‘t’ with its smooth, solid lines, brave planes, and delightfully refined shape. Its light padding makes it exceptionally comfortable. This chair, with its esteemed and highly recognizable design, will not lose its powerful visual […]
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.