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Designed by Arrmet Lab
Dam is a transversal small seat, characterized by a wrapping and comfortable well recognizable backrest. Seat, lumbar support and backrest/armrests are the three elements that, held together in an invisible way. Available in a single fabric or with a gradient of different tones for a best match with the spaces to be furnished.
Finishes:
Swivel, height adjustable, base in aluminium in polished finish or lacquered white or black, upholstery in a selection of fabrics, vinyl or leather
Dimensions:
W540 x D460 x H730-990 mm
Note:
Minimum order of 4 pcs
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A family of seatings characterized by a soft and comfortable shape designed for waiting rooms, bars and restaurants and residential.
Dam is a transversal small armchair, characterized by a wrapping and comfortable well recognizable backrest. Seat, lumbar support and backrest/armrests are the three elements that, held together in an invisible way. Available in a single fabric or with a gradient of different tones for a best match with the spaces to be furnished.
Metal chair with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
$950.00
The Cini chair inherits the proportion of a timeless classic from the 70s, bergere with a metallic structure. The gorgeous curves of it’s fully stuffed cushion and back, embraces the user while defining spaces.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.