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Designed by Riccardo Blumer
With Lanuda chair, Riccardo Blumer evolves his design research on seats, moving from the wood of Laleggera designed in 1996 to aluminium. Even if Laleggera and Lanuda embody the same principle of essential subtraction – the former employing minimal wood thicknesses in a box structure, the latter using aluminium sheets crafted following a reticu- lar logic – it is with Lanuda that this research reaches its extreme limit. The seat takes shape from ten aluminium sheets with a thickness of just 2 mm, which undergo a process of laser cutting and drilling to the maximum possible limit, reducing the surface area to a minimum and making the seat, in fact, nude, in italian ?La-nuda? means ?The-nude?. The result is a stackable chair characterised by a rich and complex desi- gn. A special processing of aluminium creates a series of triangulations with structural membranes that are folded and secured by mechanical rivets.
Finishes:
Structure in aluminium powder coated black
Dimensions:
W560 x D530 x H750 mm SH425 mm
$2,330.00
In 1982, the designer Charles Pollock created a real design classic: Penelope. The American designer developed for Castelli a revolutionary chair from a technical and formal point of view: a steel-wire sled base supports a seat permeable to air which consists in a steel-wire fence coated with synthetic resin. The elastic effect of the base […]
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This chair highlights the traditional shapes which give a very fine and elegant impression.
Versatile and ergonomic in the shape and characterized by a refined simplicity, the Pura chair is available with different coverings, to play different roles in the home and contract space.
$2,230.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.