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Designed by Riccardo Blumer
With Lanuda chair, Riccardo Blumer evolves his design research on seats, moving from the wood of Laleggera designed in 1996 to aluminium. Even if Laleggera and Lanuda embody the same principle of essential subtraction – the former employing minimal wood thicknesses in a box structure, the latter using aluminium sheets crafted following a reticu- lar logic – it is with Lanuda that this research reaches its extreme limit. The seat takes shape from ten aluminium sheets with a thickness of just 2 mm, which undergo a process of laser cutting and drilling to the maximum possible limit, reducing the surface area to a minimum and making the seat, in fact, nude, in italian ?La-nuda? means ?The-nude?. The result is a stackable chair characterised by a rich and complex desi- gn. A special processing of aluminium creates a series of triangulations with structural membranes that are folded and secured by mechanical rivets.
Finishes:
Structure in aluminium powder coated black
Dimensions:
W560 x D530 x H750 mm SH425 mm
$1,760.00
The 1956 Drawn chair by Hvidt & Molgaard stands out as a definitive piece of Danish design. Built upon traditional craftsmanship techniques and made out of organic materials, it brings a sense of wholesome honesty to any space. Available in oiled oak, oiled walnut, soaped oak, and the newest addition of black lacquered oak. It […]
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The lounge armchair of the Cricket collection is identified by the hand woven rope backrest. Its twisting is a precious craftsmanship element, a refined detail that emphasizes shape and design. Cricket reinterprets classic style bound to traditional garden seats. It offers the ideal dimensions for comfort and a comfortable and spacious seat. These features guarantee […]
$2,180.00
The existing Covent Chair and Covent Lounge Chair fuse their best assets in the Covent Club Chair. This new family member offers great sitting comfort while maintaining a visual lightness and an upright seating position suitable for dining. Extended upholstered surfaces and empty spaces create a silhouette defined by both softness and precision.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.