Designed by Simon Pengelly
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of bases and frames that increase possibilities for customisation and allow a broad spectrum of use in all kinds of spaces, settings and decorative styles. The result is essentially a collection of highly customisable chairs.
Finishes:
Swivel, base in metal and arms lacquered or in chrome, seat and back in polypropylene, optional upholstered in fabric or leather
Dimensions:
W660 x D660 x H805 mm SH460 mm
Note:
Minimum order of 6 pcs
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Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
The Unnia SOFT collection originates in the combination of comfortable seats and upholstered backrests, with or without arms, with fixed or swivel bases. In keeping with the same philosophy applied to the rest of the Unnia family, seats and backrests can be combined with one or two fabrics to create original combinations.
The Cini chair inherits the proportion of a timeless classic from the 70s, bergere with a metallic structure. The gorgeous curves of it’s fully stuffed cushion and back, embraces the user while defining spaces.
The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
A chair which combines the elegance of its perfect proportions to the comfort of the seat, all thanks to the innovative construction technique.