Designed by Christophe Pillet
The bergere relax armchair of the Summer Set collection stands out for its essential and futuristic design, emphasized by a net structure, a weaving of metal threads customizable in different colors. It is the most comfortable and generous item of the entire collection. It is characterized by a comfortable and spacious seat, inviting to total relaxation. This make it perfect for every indoor and outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Finishes:
Structure in metal powder coated white, silk grey, grey, bronze, Dark brown or black, upholstery in a selection of outdoor fabrics
Dimensions:
W610 x D560 x H460 mm
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The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
The foot rest of the Summer Set collection stands out for its essential and futuristic design, emphasized by a net structure, a weaving of metal threads customizable in different colors. It is the most comfortable and generous item of the entire collection. It is characterized by a comfortable and spacious seat, inviting to total relaxation. […]
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Designed in 1965 by Elio Martinelli, the lamp is made of methacrylate molding techniques innovative for the time in which it was designed and its geometric shape and dynamism revives the atmosphere of those years decisive for the success of the design Italian in the world.
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An avant-garde icon of the 1950s, Pivotante ? Poser was conceived by Charlotte Perriand as an architectural element. The light emission interacts with the material texture, volumes, dimensions and graphic signs created by the two rotating diffusers, which allow both closing and opening of the light beam for direct or indirect light.
The lamp 1953 designed, by Ostuni e Forti, has two models, floor and table, varying in proportion and size but identical in their design which shifts the whole lampshade section from the centre to the side. A range that elegantly recalls the style of those years, such as the use of a shade in the […]