Designed by Patrick Jouin
Social is a modular system of linear, corner seatings and poufs, an endlessly replicable sofa ready to host social aggregations. A linear and elegant design made even lighter by the legs positioned only at the ends.
$920
Hard on the outside, and soft on the inside. Designed to work on the bathroom space, specific to the time of morning or evening. An elegant light for an object that plays with intimacy. Inspired by the shades of dawn or dusk, to be tender is to be enlightened like a single cloud standing out […]
$750
Like a powder case or a precious box, the mechanical action of opening or closing makes the object reassuring and immediately understandable. The light is diffused by a thick glass pane, throughout its depththickness. Inside, the polished brass flap acts as a pivoting mirror thanks to a visible hinge.
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Ester chair is a mix of elegance, ergonomics and functionality. The attention to details is everywhere. The result is a precious monolith made of leather complemented by refined die-casted aluminum legs.
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Coqueta holds a considerable part of Expormim?s DNA. Renewed to make it more 21st century-like, its classic features preserve, nonetheless, all the purity and personality of the original design.
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.