Designed by Studio Expormim
Reposo (rest), in physics, refers to an object being stationary. Everything around is subject to mutation except for it. With its undulant silhouette evoking sand dunes and its butterfly-like backrest, Reposo stares at the changing world without ever getting troubled. This unique self-awareness is part of its grandeur and yet its embrace feels as warm as a gentle tropical breeze. A pure metaphor for everlasting summer.
Finishes:
Structure in rattan in natural or stained in a selection of colours, optional seat cushion in a selection of fabrics or leather
Dimensions:
W1660 x D850 x H810 mm SH300 mm
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Designs renovated from original pieces, which in his day, were part of the Expormim’s catalogue. Furniture that were a great success due to its comfort, robustness and durability. Made of non-skin and tinted rattan with water based dyes
Basic collection designs are built on two fundamental concepts: one is functionality and the other, the richness of its materials. Defined by simplicity and pure lines, the sideboards, cabinets and TV stands included in this collection can be extended in terms of usability by simply adding drawers and shelf units; texture can be also multiplied […]
Coqueta holds a considerable part of Expormim?s DNA. Renewed to make it more 21st century-like, its classic features preserve, nonetheless, all the purity and personality of the original design.
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Roxanne is a chair in which all the requirements for an iconic object are enclosed: strong personality, essential design and flawless performance between functionality and image. The great comfort obtained with the volumes of the backrest and seat perfectly calibrated in the sizing gives it excellent comfort. Roxanne is a stackable chair and is therefore […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
The Malmo chair was born from an imaginary journey along the sides of a Scandinavian lake. It recalls the experience of a come back home with the cosiness of wood warming up the environment.
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