Designed by Lievore Altherr Molina
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Finishes:
Structure in oak veneer in a selection of finish or walnut veneer with black laminated glass, top in clear or tinted smoked
Dimensions:
W3200 x D1200 x H740 mm
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You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
A swivel lounge chair which enfolds the person seated and rotates fully on its own axis thanks to a ball mechanism in the base. An original and comfortable item of furniture, suitable for placing in the centre of any space
The Clessidra mirror, with its soft lines and its sanded frame, can be positioned with different orientations. It assumes a new functional feature in the table and free-standing versions. Because it is not possible to stop time, but choosing how to look into the mirror while time passes by is.
Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
The refined and minimal structure of Helia is enhanced by the shelves in bronzed or smoked mirror to give an exclusive charm to the interiors. The two sizes and the different widths allow different uses and combinations.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.