Designed by Philippe Starck
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
Finishes:
Base in ebonized mahogony base with cast aluminium cap and castors, upholstery in linen cotton fabric in white
Dimensions:
W2060 x D1520 x H850 mm
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Here it is the ultimate pleasure of drawing and the power of provocation: the leather full dress, that reaches the floor, strongly opposes to the only polished metal shark finned back leg. Ed Archer is undoubtedly a scenographic protagonist.
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Antonia Astori calls ‘memory furniture’ those pieces which tell something about people attention to indoor living. An attention expressed both by the recovery of disappeared archetypes, eg. canopy bed, and in precious materials manufacturing, eg. pleached roped steel headboard.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.