Designed by Bernard Schottlander
As admirer of Alexander Calder, in 1951 Schottlander created the Mantis series of lamps. Movement is intrinsic to all of Schottlander’s work: an artist, an engineer and in no small measure a handyman, he devised a clever system of counterweights combined with a series of strong, and flexible metal bars. The shade also is unique of its kind. Like an acrobat suspended in mid-air, it is made from aluminium using spinning and chasing techniques that are a part of the metalworker???Ǩ?Ѣs inventory of skills, but to which he has brought his sculptor???Ǩ?Ѣs eye to create a helical movement in which the symmetrical and the asymmetrical are in opposition.
Finishes:
Adjustable shade and stem, structure in steel and shade in aluminium in black
Dimensions:
W690-1080 x D290 x H1550-1700 mm
Wattage:
11W, E14
$970
As admirer of Alexander Calder, in 1951 Schottlander created the Mantis series of lamps. Movement is intrinsic to all of Schottlander’s work: an artist, an engineer and in no small measure a handyman, he devised a clever system of counterweights combined with a series of strong, and flexible metal bars. The shade also is unique […]
$1,970
$2,020
A silhouette that naturally evokes a praying mantis in weightlessness, the Mantis floor lamp has now been structurally tweaked and improved just as designer Schottlander envisioned in his time. Still composed of a long steel rod topped by a black shade pivoting on a ball joint, resting on its round base, the BS8 L floor […]
$1,840
$1,570
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Designed by Le Corbusier in 1963 for the Parliament in Chandigarh in India, Parliament is a symbol of 1950s modernism, inspired by the industrial lighting of the time. The adjustable diffuser consists of two open symmetrical cones for direct and indirect lighting. The finishes reflect the ?claviers de couleurs? colour system developed by the Swiss-French […]
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Playing with the contrasts between materiality and immateriality, presence, absence, and revelation of light, la Lampe Frechin offers a sensitive experience of optics between science and magic.By confronting timeless materials, and a poetic approach to technology, it illuminates as much as it irradiates spaces.
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In 1946, Vico Magistretti conceived Claritas, his first lighting design, which conceptually aimed for clarity and brightness. In a context of reconstruction and reconversion of the war industry, for the first time Magistretti used bent metal tubes and a curved aluminium sheet as a reflector, which could be oriented and regulated, ensuring the desired lighting […]