Designed by Lievore Altherr Molina
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to high performance weather resistance, thanks to being woven with nautical rope on a painted stainless steel frame.
Finishes:
Suitable for outdoor use, structure in stainless steel powder coated white, black, oxide or champagne, polyester rope in white, black, taupe, orange, dark orange or oxide
Dimensions:
W590 x D570 x H790 mm SH450 mm
0
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Sila is a project from which a lot of different versions take form, starting from simple shapes and natural materials.
Aikido is a dining table of essential design which becomes protagonist of daily life and of any space thanks to its warm and prestigious materials. The single base matches with the round, oval or square top while the double base completed by the rectangular or shaped top is the ideal solution for big home spaces […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.