Designed by Lievore Altherr Molina
in the eclectic identity of Driade, i have always perceived a hint of french culture, just as i have always been fascinated by the interiors of parisian homes for their expert combination of furnishings and classical items, along with vintage pieces and contemporary objects.’ Alberto Lievore La Francesa issues from this imaginative background, a refined seat that easily blends into any setting. the legs made of ebonised european ash or natural ash support the high comfort cozy body.
Finishes:
Legs in ebonized or natural solid ash wood, upholstery in a selection of fabrics or leather
Dimensions:
W505 x D560 x H810 mm SH450 mm
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Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Curved glass and metal profile are joined together to create a single form, able to create different chromatic combinations and types of furniture: from the coffee table to the console. An idea that can satisfy different needs with a unique style.
Metal coffee tables and consoles characterized by a strong graphic sign and a strong personality. Essential lines and well-known geometries. The surfaces created through the repetitive rhythm of the metal tubes create lightness and solidity at the same time. Together with the console to be fixed to the wall, the square and rectangular coffee tables […]
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.