Designed by Mario Ruiz
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Finishes:
Structure in solid oak in natural or stained in a selection of colours
Dimensions:
DIA1000 x H750 mm DIA1200 x H750 mm DIA1400 x H750 mm
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Kiri is a set of round accent tables combining rattan with solid wood and lacquer in an aesthetically fluent dialogue. It may be difficult to imagine how such a supple material like the rattan used to shape the base can support the weight of the wooden tops, but the fact is rattan is actually strong. […]
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
$1,580
The Jiro work chair challenges traditional workplace seating by offering maximum comfort with the minimum of elements. A finely balanced oak construction with a 4-star die-cast base provides ergonomic, dynamic and responsive support in a design that is as comfortable in the boardroom as it is in a home office. With elegant simplicity, Jiro’s concentric […]
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Frames has written a happy new chapter for an already old story, the same old tale of craft and tradition but within a new framework of clever design that takes advantage of a different, more joyous approach to the material. The narrative of design brings traditional outdoor furniture to the inside, adding a layer of […]
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.