Designed by Hvidt & Molgaard
Tripod from 1953 reflects the clean minimalism of Old Masters Hvidt & M?lgaard. A floor lamp built from lacquered steel with brass details, it strikes a delicate balance between the stark simplicity of its design and the softness injected by the curved edges of its base. Although it was designed in 1953, this is the first time it?s in production.
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Looking to create a versatile piece that would adapt to its surroundings, design duo Hvidt & Molgaard devised this handsome lounge table in 1956. As part of the Drop Leaf series, it boasts the same curved wooden frames and easily foldable design. Available in solid walnut or oak.
The 1956 Drawn chair by Hvidt & Molgaard stands out as a definitive piece of Danish design. Built upon traditional craftsmanship techniques and made out of organic materials, it brings a sense of wholesome honesty to any space. Available in oiled oak, oiled walnut, soaped oak, and the newest addition of black lacquered oak. It […]
$570
After the success of its floor lamp, &Tradition has expanded the Tripod series to include a table lamp with the same timeless design. Tripod, a table lamp built from powder-coated steel with brass details, reflects the clean minimalism of historic Copenhagen-based duo Hvidt & M?lgaard. Considered Old Masters of mid-century Danish design, their pieces often […]
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Tivoli recalls the traditional wooden chairs, maintaining comfort and inspiring conviviality. A clean design where the structural elements are perfectly integrated in the frame. The three-dimensional curves and the generous proportions of the back rest makes Tivoli an ergonomic and elegant chair.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.