Designed by Arrmet Lab
Metal chair with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.
Finishes:
Stackable, legs in steel in chrome or lacquered white, black, copper or brass, upholstery in a selection of fabrics, vinyl or leather, stitch details in a selection of colours
Dimensions:
W510 x D530 x H870 mm
Note:
Minimum order of 4 pcs
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A rational design of the metallic structure, made of extremely clean lines, contrasts with the soft comfort of the padding. Born from the need to have the maximum comfort in a minimum space. Sharp is a timeless small armchair, whose shap allows it to match even in a very small space. The metal frame with […]
A family of seatings characterized by a soft and comfortable shape designed for waiting rooms, bars and restaurants and residential.
Metal high stool with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
Intercity is a modular range that allows the creation of spaces suited to any environment and any requirement. With a wide choice of basic modules, straight, curved or peninsula configurations can be created. The upholstered seats can be combined as required, choosing different modules, to configure widely varying solutions. Seats can be alternated with glass […]
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]