Designed by Enzo Mari
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
Finishes:
Base in steel painted black, beem in beech wood in natural or veneer in walnut, fossil oak or oak stained black, top in tempered clear glass
Dimensions:
W1300 x D800 x H720 mm W2000 x D800 x H720 mm W2000 x D860 x H720 mm W2100 x D860 x H720 mm W2250 x D860 x H720 mm W2750 x D860 x H720 mm W3000 x D860 x H720 mm
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A chair that incorporates the rounded 50’s style, however, ergonomically correct and more suitable for outdoor use. This is accomplished through the side slots, so fundamental to the flow of rainwater and to its stackability. Soft egg offers an organic image that can melt, so amazingly, with the organic unity of nature.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.