Designed by Enzo Mari
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
Finishes:
Base in steel painted black, beem in beech wood in natural or veneer in walnut, fossil oak or oak stained black, top in tempered clear glass
Dimensions:
W1300 x D800 x H720 mm W2000 x D800 x H720 mm W2000 x D860 x H720 mm W2100 x D860 x H720 mm W2250 x D860 x H720 mm W2750 x D860 x H720 mm W3000 x D860 x H720 mm
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The seat section of uniform plywood is broken by the unconventional connections between the legs. The legs pass through the seat emphasizing the structural construction which is also a design detail. The effect is outstanding in the two-color version.
A Scandinavian design, this chair is in keeping with their taste for fresh minimalist shapes and corners, combined with simplicity and colours that both enhance and compliment a room. This is no ordinary chair as well as being functional and with plenty of aesthetic value; it also comes with strong foundations and is extremely durable. […]
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
Osaka is a collection of seatings with a strong graphic impact whose construction elements remind the linear features of an ideogram, due to their pureness and simplicity. Its rectilinear profile reveals a welcoming three-dimensionality, completed by the tactile well being of the wood.