Designed by Odo Fioravanti
Dome is a collection of seatings that brings back to mind the glorious tradition of the bistrot chairs with curved silhouettes and generous shapes. It recalls the domes of the monuments adorning a lot of cities all around the world. Delicate details of the injected polypropylene remember the joints of the solid wood defining a seating with armrests. Perforated shell and seat recall the industrial metal plates.
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Babila armchair recalls the distinctive features and design of the collection, taking inspiration from the classic and timeless objects. The functionality of the polypropylene shell is combined with steel tube legs.
The technopolymer shell of Babila chair recalls the wooden version but takes full advantage of elasticity and three-dimensionality of the plastic material, in order to offer the greatest comfort in a new smarter look.
The Merano chair combines the bottom design made of solid wood with harmonic shapes of bent plywood in the seat and backrest. Thanks to the production technology used, it is remarkably light and does not contain any screws or metal pieces. Together with the bar stool, it creates a set with the Merano armchair.
$1,580
The Jiro swivel chair challenges traditional workplace seating by offering maximum comfort with the minimum of elements. A finely balanced oak construction with a 4-star die-cast base provides ergonomic, dynamic and responsive support in a design that is as comfortable in the boardroom as it is in a home office. With elegant simplicity, Jiro’s concentric […]
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.