Designed by Odo Fioravanti
Dome is a collection of seatings that brings back to mind the glorious tradition of the bistrot chairs with curved silhouettes and generous shapes. It recalls the domes of the monuments adorning a lot of cities all around the world. Delicate details of the injected polypropylene remember the joints of the solid wood defining a seating with armrests. Perforated shell and seat recall the industrial metal plates.
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Babila is a chair able to move along tradition and innovation with great agility. Solid ash legs and plywood shell in variable thickness with upholstered seat. The result is an airy and comfortable sitting with a careful and accurate use of wood.
Dome is a collection of seatings that brings back to mind the glorious tradition of the bistrot chairs with curved silhouettes and generous shapes. It recalls the domes of the monuments adorning a lot of cities all around the world. Delicate details of the injected polypropylene remember the joints of the solid wood defining a […]
Babila armchair recalls the distinctive features and design of the collection, taking inspiration from the classic and timeless objects. The functionality of the polypropylene shell is combined with steel tube legs.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Tweet is a collection of seatings which combines the rational, clean design of the shell with a wide selection of frames and finishes, to guarantee the best adaptability in contract projects and domestic settings.
A Scandinavian design, this chair is in keeping with their taste for fresh minimalist shapes and corners, combined with simplicity and colours that both enhance and compliment a room. This is no ordinary chair as well as being functional and with plenty of aesthetic value; it also comes with strong foundations and is extremely durable. […]
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.