Designed by Christophe Delcourt
Finishes:
Base in solid wood with veneer in walnut or stained oak, upholstered in a selection of fabrics
Dimensions:
W1020 x D835 x H632 mm SH405 mm
0
Beyond their clean design, the round and rectangular SUI tables celebrate the beauty and magnificence of a large piece of wood. The beautifully polished finish along with the strong and innovative design of the legs remain harmonious in both shapes, allowing SUI to be a key-piece in any living space.
Noa sofa is designed to deliver the extraordinary craftsmanship as well as the idea of folding space. The crisp tailored leather back bends over to the side creating a continious flow throughout the sofa with the versatility of the modular seating system.
Table Tao is the quintessential of the French designer, Christophe Delcourt’s work, it is an homage to the spirit and the possibilities of wood. Sculptural, they define space as much as they are born from a subtle balance of intricate shapes of solid wood. Of infinite elegance, the tables offer a play on matter itself, […]
Aikido is a dining table of essential design which becomes protagonist of daily life and of any space thanks to its warm and prestigious materials. The single base matches with the round, oval or square top while the double base completed by the rectangular or shaped top is the ideal solution for big home spaces […]
Angle’s collection of accent table collection with fine table top set on a slim metal base. The rounded top corner and the metal structure creates a set of unique angles. The designer plays with those angles and the negative space to achieve the light yet sturdy look. It is balanced, decorative and timeless.
This inviting bed features a clean headboard, the lines of which are highlighted by subtle piping. The frame is offered in oak or walnut, and a wide range of fabrics allows it to blend well in all types of interiors.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.