Designed by Odo Fioravanti
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Babila is a chair able to move along tradition and innovation with great agility. Solid ash legs and plywood shell in variable thickness with upholstered seat. The result is an airy and comfortable sitting with a careful and accurate use of wood.
Frida is a chair that embodies sophisticated technology and represents a landmark in woodworking. The most remarkable factor is represented by the superposition of a three-dimensional curved plywood body of only 3.5mm to a solid wood frame. The oak structure is characterized by geometric sections of varying shapes that taper at the edges, giving a […]
Dome is a collection of seatings that brings back to mind the glorious tradition of the bistrot chairs with curved silhouettes and generous shapes. It recalls the domes of the monuments adorning a lot of cities all around the world. Delicate details of the injected polypropylene remember the joints of the solid wood defining a […]
The Pikaia chair is designed to support the back fully. The curve of the backrest easily and comfortably follows the natural curve of the spine. The polyurethane shell, however, also allows for flexibility letting you lean back slightly. Like the human body is constantly in motion, the chair moves with it in a natural and […]
The Malmo lounge chair was born from an imaginary journey along the sides of a Scandinavian lake. It recalls the experience of a come back home with the cosiness of wood warming up the environment.
This comfortable chair is named WATER as it recalls the gentle smoothness of water. The master and the guest chair present slightly different appearances, not only to signify the status of their users but also to harmoniously pair with the WIND tea table. The ?floating? seat, armrest protection and bended wooden back structure highlight the […]
Osaka is a collection of seatings with a strong graphic impact whose construction elements remind the linear features of an ideogram, due to their pureness and simplicity. Its rectilinear profile reveals a welcoming three-dimensionality, completed by the tactile well being of the wood.