Designed by Ludovica & Roberto Palomba
Finishes:
Structure and top in polypropylene in carnation, lavender grey, white or black
Dimensions:
W800 x D800 x H730 mm
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Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
A minimal top, in crystal or canaletto walnut veneer, suspended on two independent wood structures: the result is a very refined table, thanks to the elegant details and the lightweight look of the piece overall.easel, designed for Driade by Ludovica+Roberto Palomba, is a table that plays on proportions and dynamism.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.