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Lazada
Designed by Monica Armani
The footrest of EMMA collection is a precious element, ideal as a complement to its outdoor seats. It stands out, as the rest of the collection, for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Finishes:
Legs in aluminium powder coated white, silk grey, grey, bronze, dark brown or black, upholstery in a selection of outdoor fabrics
Dimensions:
W700 x D500 x H460 mm
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The dormeuse of the EMMA collection is characterized by defined stitching details of the back cushion, emphasizing shape and design. It stands out for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Versatile outdoor chair with powder coated aluminum structure, featuring numerous combinations of different materials and fabrics for seat, backrest and legs. This outdoor chair’s backrest can be made of hand-woven synthetic fiber cord, Textilene or an outdoor waterproof fabric, to choose from the wide range of Varaschin. It is a very handy and durable outdoor […]
Director’s chair suitable for the pool area, with aluminum frame, seat and backrest in perforated batyline fabric in different colors or fabrics that withstand tensions. The colors of this chair make it ideal for outdoor use in spring and summer
Clever is lightweight but extremely durable, highly manageable and easy to stack for transport or storage. Suitable for a wide range of convivial and dining situations, it is particularly resistant to atmospheric agents.
$1,160.00$986.00
The Missing Chair appears as if a simple line drawing has sprung into life. Sensual yet strong, the soft curve of each line creates a whimsy that is hard to describe. Straight lines have been softened, allowing the timber seat and back to appear as if floating above the thin steel frame. What remains are […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.