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Lazada
Designed by Philippe Starck
The cultured and omnivorous voracity of Philippe Starck faces, in Neoz collection, the poetry of solid wood and the traditional archetypes form is reviewed. The result is a timeless collection characterized by straight lines as well as by a strong image.
Finishes:
Structure in ebonized mahogany, upholstery in white vinyl or leather
Dimensions:
W480 x D560 x H830 mm SH470 mm
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Costes chair debuted in 1984, marking the beginning of the partnership between Philippe Starck and Driade. A designer, formerly unknown in Italy, creates one of the world’s most iconic object. Designed for the once homonymous, now disappeared Parisian cafe, owes its timeless success to the absoluteness of forms: a dark wooden embracing structure with three […]
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]
Tables, for a designer, are somehow suspended between architecture and sculpture. Littman visualize this suspension in Lybra project, by emphasizing the steel supporting beam, making it evident through the top transparency and giving it the value of a craftwork.
Fredrikson stallard’s work often exudes an energy like that of abstract expressionism, a forcing by the artists hand or a chaos within the materials and forms themselves, albeit an organized chaos. In Sereno they have used similar themes, methods and language to instead create a moment of calm and solitude. The forms themselves are created […]
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]