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Lazada
Designed by Mario Ruiz
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
Finishes:
Base in metal lacquered in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W670 x D570 x H780 mm SH470 mm
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$6,560.00
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
$760.00$646.00
Designers Jakob Thau & Sami Kallio turn things inside out with their chair that features usually hidden seat webbing as a design element. Crafted using natural linen fibers, the flexible webbing seat cradles the the body for maximum comfort. BettyÕs single-piece wooden frame is lightweight yet inherently stable and the chair is stackable.
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
This classic chair No. 14 has been transformed into a barstool. Manually bent beech wood is used for the frame. The seat can be made of plywood, with a decorative relief, cane mesh or it can be upholstered in all types of materials.
$2,790.00
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined […]